Work / 001 · Product
4-part USP campaign · 2025

Milwaukee®
Tools.

Client
Milwaukee® Tools
Services
3D product animation · Motion design
Deliverables
4 films + retail cutdowns
Year
2025
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Four product lines.
One lighting language. A three-week turnaround.

Working with Maxim Communications, Milwaukee needed a USP campaign for a trade show that could later be cut down for social, without a single frame of live-action photography. Every tool was built from supplied CAD data, then lit, rendered, and comped in-house, from the MX FUEL power station to the M18 polisher, all under a very tight schedule. The work was a balance of realism and speed: each tool had to read convincingly — knurled grips, moulded housings, batteries that look like the real thing — while staying efficient enough to hit the deadline. From there, each film could flex from a longer show piece to a short social cut without losing the thread.

The look had to follow what came before — the masculine red-and-black brand language, hard light, a tone that matched the existing Milwaukee world. Within that, the films leaned on more abstract devices to carry each USP: highlight passes, echoes, spinning product carousels, and camera moves that get closer than a product shot could. The key USPs were handled as typography built into the scenes themselves — sitting in the 3D space rather than laid over the top, the text could lead the eye to the point being made while keeping the whole visual language cohesive. Holding to one look across all four meant the films read as a single campaign, and let them move through modelling, animation, and grade in parallel to land as one body of work inside three weeks.

04.
Films delivered
04.
Product lines
03.
Weeks, concept to delivery
The films

Four films,
one campaign.

01MX Fuel Power Station

The launch film — one battery platform running every tool on site, staged as a rotating carousel with watt-for-watt claims.

02M18 Rapid Charger

Multiple batteries charged simultaneously — macro lighting passes and floating typography sell the speed story.

03M18 Fuel Polisher

Exploded drive train and an all-CG detailing bay — cordless performance argued shot by shot against corded rivals.

04M12 Raptor Pipe Cutter

The compact pipe cutter at full speed: in-render motion blur and cutaway gearing carry the engineering close-up. Rendered in Eevee for near real-time speeds on a tight deadline.

Selected frames

Closer than
a camera, by design.

Frame 01 · M18 Polisher Exploded view of the M18 polisher drive train
Exploded view TC 00:00:08:12

Engineering, pulled apart

The polisher's drive train opened up mid-rotation. Cutaways like this carried each USP without a caption card ever breaking the frame.

Frame 02 · MX Fuel MX FUEL power station surrounded by a ring of appliance cards
Hero staging TC 00:00:21:00

One platform, every tool

The claim — one battery feeds the whole site — staged as a rotating carousel of appliances, lit by the power station itself.

Frame 03 · Rapid Charger Six Milwaukee batteries docked on the Packout rapid charger
Macro pass TC 00:00:04:18

The whole pack, powered

Six batteries docked, charge-waves pulsing up through the pack to sell the simultaneous-charge story. The whole rig built from CAD and lit to read as the real thing against black.

Frame 04 · MX Family The full MX FUEL family of tools floating in formation
Key art TC 00:00:33:06

The family portrait

Every MX FUEL tool floating in formation — a single render with no compositing. This frame went on to become the campaign's key art.

Frame 05 · M18 Polisher Curved typography wrapping the M18 polisher to call out its variable speeds
Feature callout TC 00:00:14:22

Type that wraps the tool

Curved typography bends around the polisher to call out 8 variable speeds and the easy-reach dial, the text living in the scene with the product rather than flat on top. The speed selector reads clearly in shot, so the feature sells itself.

Frame 06 · M12 Raptor The M12 pipe cutter mid-cut with motion blur
In-render blur TC 00:00:27:09

Speed, held in frame

The pipe cutter mid-cut at full speed. The motion blur comes straight out of render — energy in a single still, nothing smeared in post.

All projects

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